Black Veil Brides
Jan. 19 2018 - Milwaukee, WI
Jan. 20 2018 - Chicago, IL
Being as I am a huge Black Veil Brides fan these dates were circled as soon as they were released. Having seen the band nearly a 100 times and no it’s not a joke. I have actually seen them nearly a 100 times. My excitement was too much to contain. They just get bigger and better each time I see them. From tiny 200 people clubs to now 4,000 seaters its been a fun journey to watch. Filling up half of the Eagles ballroom is an impressive feat. With the stage sitting in the middle of the ballroom and walling off the back half it gave great views for everyone to watch even at the back of the bar. The stage was large and had tons of room to move. The stage set up had a long foot wide running metal walkway right at the front of the stage. Dead center at the back was their drummer CC’s kit up on a pedestal. The entire back wall of the stage was a massive running LCD board. During the performance the board flashed logos, fire and personal images all correlating to the song in the moment. The accuracy of it was rather spectacular. This set up didn’t change between the two venues. I will say the Milwaukee crowd was much larger and much more lively than those attending the Chicago date. The Rave/Eagles ballroom in Milwaukee is one of the best venues in the country. Rather impeccable when compared to other legendary spots. The Chicago venue, The Riviera, seemed like a popular venue with good reviews. Stepping into the building I was rather taken aback by how beat to shit it was. Every time the bass drum hit you would see dust fall from the ceiling and paint chipping off of its already beat up walls. Pretty gross. Despite that it was something not in the bands control and the show went on.
Playing identical sets at both venues, Black Veil Brides, appeared on stage with the “Faithless” intro of church bells clanging through out the venues. Drummer CC perched on top of his drum kit with both hands in the air jumps down and starts slamming in his snare and floor tom. Bassist Ashley Purdy on the mic enticing the crowd to fist pump with the guitar leads of Jake Pitts and Jinxx. With Frontman Andy Biersack standing front and center pumping his fist emphatically in the air while stomping his foot on the metal walkway, he then stopped and gave the crowd a smile before he unleashed a ferocious screamed into his microphone. With that you knew we were off onto a high energy fast paced show.
Keeping with the theme of fast paced action it led right into “Coffin” which was released only on Itunes. With its popularity growth through a strong Youtube following it was the perfect fit for this set. Heavy riffs and harmonies are BVBs bread and butter. The catchy chorus had the crowd singing note for note. With Jake and Jinxx riffing faster and harder each moment it was pretty difficult to keep up at times. Slowing down a little with their new song “Wake Up” which was of of their freshly released album “Vale” the band seemingly put their stamp on their political leaning with a song that implies all politicians suck. Not that I disagree. From there they ripped into “I Am Bulletproof” which kicked up a small mosh pit in each venues. By this point you have to wonder if Jake Pitts fingers were blistered or on fire. Lick for lick and string by string he nailed every solo he had with precision and accuracy. Then came “Rebel Love Song”. If there were an anthem to young love and adventure I’d sure like to hear it. The sea of people must’ve agreed because you would see couples embrace and sing the tune at the top of their lungs. The next three songs “When They Call My Name”, “Shadows Die” and “Lost It All” continued the theme of life, love and loss that we all experience. With extremely strong vocals from Andy Biersack and Ashley Purdy, the emphasis on those subject hit with such vigor and defiance it was difficult to not have a heart string pulled a little. Maybe it was just me and my maturity as a human. Regardless, I walked away overly impressed with that sequence of songs.
Kicking the energy up in the room again with “The Legacy” and with the heavy lead intro bodies started to get pushed around room and the crowd surfing began right away. Accompanying the raucous guitars, Biersack unleashes an unruly and authoritative growling scream. Easily capturing the already attentive crowd. Purdys solid backing vocals and flirtatious stage antics just tease the crowd making their playing of “Wretched and Divine” all the more pleasing. With “Knives and Pens” following up it the venue exploded with joy throughout . Their oldest “hit” resonated within their long time fans. The growls, screams and guitar licks the band then went into a short break before an impactful 3 song encore.
Once again CC heads back out to the drum kit and entices the crowd to get rowdy. He then starts to snap on his kit. Then rest of the band proceeds to hit the stage and perform “Perfect Weapon” to a very active and loud audience singing with every word. From where I was sitting you could here it loud and clear. It didn’t stop until the final note was played. “Fallen Angels” was written for the arena rock experience and you cannot change my mind about that. The harmonies and choruses are sung to perfection. The band perched along the front walkway on the stage just playing with the crowd and the mischievous atmosphere surrounding the stage. All in preparation of the finale “In The End”. Perhaps their most popular song. The song projected the exact feeling of the moment. A cheerful bliss. Celebrating the Present. All being capped off with a full band bow hand in hand in its conclusion.
For how long I have been following Black Veil Brides there is no doubt they are simply at their best currently. No miss queues or lighting issues. All engines are a go. Easily stated that you would be absolutely stupid to miss out on them when they come around your location again. The Resurrection Tour Part 2 hits the road again April 26th 2018
Adelita’s Way @ The Annex, Madison, WI 03/31/2018
Having been an Adelita’s Way fan since 2012 with the release of their first album. I had only seen them play on festival stages. Partially my fault by always maintaining a busy schedule. When I saw they announced a date at a smaller and much more up close and personal style venue I jumped at the chance to acquire a photography pass. After a few email exchanges I was set. Walking into the venue after last being there in 2007 for a Bobaflex show I was surprised by how much nicer the place got. Great lighting and fantastic sound. With how great the lighting was it made my photography job easy. I mean if you couldn’t snap in the lighting you should quit photography all together. Not joking.
After the 3 openers played I managed to weasel my way right upfront. 3 really nice people let me in there to snap for a few songs. Opening the show with “Bad Reputation” and setting the tone the guitar intro started up. Front man Rick DeJesus slowly walks up on the stage in what looked like a house coat and his hair tightly pulled back. Belting out word after word backed by thundering snare snaps and banging high hat hits it was quite apparent Adelita’s Way were completely in sync. After cruising through 2 songs they took a brief break to swap guitars. After playful banter with the crowd AW led right into one of their hit singles “Alive.” With the crowd singing word for word it started to drown out the lead vocals a bit from where I was standing. I’m not much of a singer at shows, but even I was singing word for word. The vocals from what I heard were so strong and powerful it made the lyrical content even more heartfelt. From there they strolled into their new single “Notorious.” From there I started to move around the room to get different views. “Notorious” from the album with the same title sounded even louder and tighter in person. At this point I began kicking myself for never seeing these guys in a club before. They were the definition of fantastic. At this point in the set they slowed the shows down a bit with a 3 song acoustic like bit. Once again the friendly talk between the band and the crowd key the mood fun and light. Most was circling around the lack of a bar stool to sit on. After having a very larger patron offer to act like a bench a stool showed up. Needless to say the jokes stopped and drumming of Tre Stafford kicked the acoustic part off. The slow down didn’t keep the crowd from continuing to sing loudly to “Somebody Wishes” “Last Stand” and “Tell Me”. As a photographer, I always try to get images of every member, then a spotlight image and then finally a group shot. With vocalist DeJesus up and out front singing so perfectly it was hard to not focus on his mannerisms. Tavis Stanley, playing fill-in guitar and also of Die Trying fame slayed every song with precision. Smiling and swaying back and forth, Stanley, made it look as if he were in the band from it’s inception.
Rounding out the evening, Adelita’s Way banged out a fan favorite in “Cage The Beast”. A song that I was hoping they would play. Closing with arguably their most popular hits, the Las Vegas rockers seemed to get louder and heavier. Strumming and snapping every note the band smashed out “Criticize” to a crowd still singing word for word. Leading straight into “Sick” and the short intro Dejesus teased the crowd with his hand gestures then belted out the powerful lyrics. The band itself pick up steam. Drummer Tre Stafford smashing more and more emphatically on his snare with every passing second. Firing on all cylinders would’ve been and understatement. With a brief jam session as an encore Adelita’s Way finished the evening with “Invincible” which is exactly the way I think everyone in that room felt. Belting out the chorus “I feel invincible tonight” The Annex crowd swayed and danced with their hands in the air. With an enthusiastic break down to end the set people screamed for more. It was a performance that left me blown away. I actually wound up kicking my self because I never saw these guys in a club before then. They kick ass. Hearing “Alive” in person gave me the feels and made me think of a certain someone. When I exited the venue I proceeded to call and talk to that person. If a single song being played can illicit that response then you know you’ve done your job and done it damn well.
Whitney @ Majestic Theater, Madison, WI 11/29/2017
Whitney returns to the Majestic Theater for the second time in roughly a year and both times I attended. Both times I snapped shots. Only this time I didn’t accidentally delete my card while attempting to upload from my D750. Small victories to an excellent night. The thing I love about Whitney is their ability to be completely humble and talkative to a large room. The Majestic Theater is a 600 person sized venue. Both times Whitney has sold the room out. Each time the group has created an atmosphere of warmth and fun. As the crowd sways and dances with every song front man and drummer Julien Ehrlich delivers. Each break brings friendly some banter with the audience. Backed by fan favorites “No Woman” and “No Matter Where We Go” the set list was familiar to fans whether new or old. With soothing and smooth vocals coming from the stage the crowd enthusiastically sang along word for word. Adding in the guitar licks of Max Kakace, Whitney put on one heck of a show. Backing them up were 3 artists with the ability to play multiple instruments through the set which created a much fuller sound being projected for the stage. Overall, Whitney is a bright and warm breath of fresh air. This up and coming group do not disappoint. I can easily say I will see them when they return again.
Louis The Child @ Orpheum Theater, Madison, WI 11/17/2017
Having moved the show over to The Orpheum Theater I became a bit more excited. The venue is a great place to watch a show and the balcony is fantastic to sit up in. Having missed Louis The Child the last time they played in Madison I marked this on my calendar as soon as it was announced. I love EDM shows mainly for the lights. Some of the most elaborate stage set ups come from these shows. LTC was no different. With their gear on a table out front and middle the duo from Chicago kept the crowd dancing all evening. On the stage behind the artists were 5 huge lighting boards stretching the entire length of the stage. Those monstrous light boards were backed by the Orpheums strobe lights. Louis The Child had the college crowd dancing start to finish. Firing off confetti cannons through out the night the upper balcony was covered and people danced right through it. While I personally do not know the titles to their songs I know they played their popular mixes. Familiarity to my ears and the audiences reactions let me know that. Overall I was extremely impressed. Their jump in venue size was definitely warranted.
Bully @ High Noon Saloon, Madison, WI 11/05/2017
Strolling into the High Noon Saloon at the beginning of a young tour to back the newly released album “Losing”, Bully came out onto the small stage seemingly captivating the crowd almost instantly. Front woman Alicia Bognanno, the creative mind behind Bully’s lyrical content and much of the production work, introduced the band and chit chatted briefly with the crowd while tuning. From there a few swipe of the strings by lead guitarist Clayton Parker and off they went opening the set with “Either Way” leading right into “Brain Freeze”. With raspy screams and head banging, Bully kept the sizable crowd entertained. Every three songs the band tuned their instruments mixing in light chatter back and forth between the crowd and band members. This was a common theme throughout the evening. The middle of the set gave off vibes of 90s alternative rock. Nostalgic to say the least. Banging the skins Stewart Copeland smiled and banged through the set with efficiency only to help keep the rooms mood fun and light as the audience members swayed their heads collectively to every song. An encore consisted of 2 songs “Running” and “I Remember”. Cranking out tunes such as “Feel The Same”, “Not The Way” and “Hate and Control” from their brand new album it gave the fans more incentive to purchase at the venue. Almost immediately after Bully finished they left the small stage and headed back stage. Bully then emerged from the back room together to greet fans by autographing items and snapping photos.
Having already pumping out a critically acclaimed album titled “Feels Like” a majority of the set seems dedicated to the newer material while effectively mixing in songs from their previous release. In my humble opinion this is a must see show if you are a fan of rock……period.
Snakehips @ Majestic Theater, Madison, WI 11/02/2017
The internationally recognized duo arrived in Madison missing James due to health reasons. Nonetheless Oliver went out and worked the 300+ in the crowd. Armed with a mix drink and his gear he spun multiple songs created by the duo. Many were new over the last few months. Having accidentally run into Snakehips tour manager he offered for me to snap a few shots on stage right behind him while he worked. As the opportunist that I am I snatched the chance up. From there I moved back out to the packed floor. As everyone moved around dancing I sat back and enjoyed the fist pumps and antics displayed up on stage. Playing their Worldwide hits “All of My Friends” and “Don’t Leave” the room erupted with screams and joyous laughter. While spinning all of the UK chart topper under their belts it was only backed by a fantastic light set up. A platform with a rolling screen siting the bands name illuminated the room. Paired with backing pink, purple and white lights setting the vibe, Snakehips was a rather pleasant surprise. If a fan of EDM or DJs I would highly suggest seeing them next time they come around.
Madison Freakfest 10/28/2017 Capital Square/State Street, Madison, WI
For those that have never been to Madison, WI for Freakfest, I can easily say you are missing out on one of the coolest parts of living here. Held every year on a Saturday around Halloween the gang from Frank Productions and True Endevours put together plans for 3 stages worth of music lining the State Street strip. The area is blocked off to traffic allowing those onto the street who have purchased a ticket.
The night started off slowly due to the chilly temperature out. Having rolled onto the street at 7pm the opening acts started. I walked my way up the street to the Gilman stage to check out local artist “Birds Eye”. A mixture of blues, hip hop and rock the band played a solid set for the faithful that made their way out early. From there I moved my way up the street enjoying the sights and sounds. More and more people started to flood the street. Lines for the bars and restaurants became a bit longer as the evening moved along. Which meant more artists to watch. Not really knowing a majority of the artists performing wasn’t really a bad thing. In fact it was quite enjoyable hearing music that was fresh to my ears. The Clyde Stubblefield All-Stars and Kweku Collins really surprised me. Outside of just doing my preshow youtube preview of each artist I did a little reading up on each artist. Sometimes homework is a great way to find out an artists tendencies on stage. With the All-Stars I managed to just catch the last 3 songs of the set. It was fun and funky. The entire crowd that built up around the Capital stage was dancing and singing along to the songs. After a short break and dance party headed by Madison DJ Djay Mando, the Chicagos up and coming hip hop artist Kweku Collins hit the stage. Pure energy would be the words I would use to describe Collins set. Armed with smooth melodies and deep poetry turned into lyrics it was easy to see why Kweku was a fan favorite. Playing notable songs such as “Stupid Rose” “Death of a Salesman” and “Ghost” from his “Nat Love” album his impact was felt through out the crowd.
From there I managed to move back out to the street to snap some images of folks in costume. Its pretty much my favorite part of every Halloween party. How can it not be? At that point in the evening you couldn’t get into an establishment without a long wait. The crowd that amassed at the Capital stage pushed all the way down to the next street. Despite the cold air the mood was quite festive.
The next two artists to hit the stage were the ones I was looking forward to the most all evening. I mean who doesn’t love them some George Clinton? The mid 70s musical legend played nothing but classic hits such as “Atomic Dog”, “Give Up The Funk” and “One Nation Under a Groove”. The new version of The Parliment-Funkadelic was stupendous. Hitting note for note musically and boasting thunderous and powerful backing vocals the band had the crowd jumping and grooving along to the power of the Pfunk. Each song lead right into another. Even at some points extending into the next. A masterful showing.
From there I turned and burned 3 blocks down to catch the last two-thirds of Mutemath. There was no way to be disappointed in their performance. Energetic front man Pat Meany, dazzled the crowd with his wild gyrating moves. Dressed as Mozart, Meany pounded away on a piano while emphatically singing lyric by lyric of their most popular tunes. Performing songs such as “Placed on Hold”, “Break the Fever” and “Light Up” the set list covered multiple album. The costumed crowd soaked up the amazing performance. With purple and yellow lighting backed by the occasional blue the stage matched every note change Mutemath pushed. All in all it makes me wonder why I waited so long to have seen them live before.
Back up the capital stage I awaited Dram’s performance. Having missed him at the Majestic theater a few months earlier I knew I wasn’t going to miss it again. As the masses of people dance to DJay Mando in preparation of Dram I had the opportunity to go out center stage and take a few crowd shots all the way down State Street. It was quite the visual spectacle. The volume of people in the crowd is virtually unnoticeable when down on the streets. From there I made my way down to the photography pit. The stage was lit up in a velvet color. The stage itself was wide open. The DJ and drummer were at the very back of the stage leaving a single mic stand out front dead center. Dram walked out onto the stage with peace signs given with a huge smile. While wearing a winter coat, Dram warmed up the stage with soulful notes from opening songs “Get It Myself” and “Misunderstood”. From there he lead into the groove laden ” Outta Sight” which set the tone for the evening. Banging out the smooth tunes with a boisterous applause after applause from the crowd, Dram, kept the night playful by consistently interacting with the crowd. Whether talking about their costumes or throwing water bottles the crowd ate it up. Bouncing from left to right along the stage the DJ sounds of a cash machine. Dram then delivers the message about being broke then getting cash leading into his hit song “Cash Machine.” Rounding out the night Dram teased the crowd while they chanted “Broccoli”. The huge radio hit was clearly the final song. Leading into the first beats an explosion of singing, dancing and jumping was most impressive. Dram didn’t disappoint. I’m so glad I was able to shoot the event. To those that have never been I highly suggest checking it out next year. It is a huge monstrous party with quality music acts.
Butcher Babies @ Majestic Theater, Madison, WI 10/14/2017
Having seen the Butcher Babies on an outdoor festival tour a year before I was felt like seeing them in an indoor setting probably would’ve been much more beneficial for their live show. I wasn’t wrong either. Having a nearly pitch black stage except for random back lights blasting from all over the stage the band came out opening their set with “Burn The Straw Man”. Quickly after, Carla Harvey and Heidi Shepard growled through the newest single “Lilith” with the result of the newest song having the sold out crowd moshing and moving around the packed floor. The band as I describe as being “A cross of Nu Metal and Shock Rock” rolled effortlessly into two of their more popular songs “Monsters Ball” and “The Butcher”. With Guitarist Henry Flury (of Amen fame) out front head banging all while laying down riff on top of riffs the rockers poured into one song after another with very few breaks. Clearly, in an attempt to give the fans every minute of live music they could. Not many artists these days leave it all out there like that anymore. The set list was compromised of songs across both of their previous releases along with their newest album “Lilith” which releases October 27th 2017. For an support act it is easy for me to say they brought it just as much as the headliner.
Setlist:
Burn The Straw Man
Lilith
Monsters Ball
The Butcher
The Huntsman
Korova
Iwokeuplikethis
Pomonoa
Theyre Coming To Take Me/Igniter?Magnolia BLVD
Headspin
Underground and Overrated
Every Time I Die @ High Noon Saloon, Madison, WI 10/20/2017
In my experience when bands get towards the end of tours they try to cash it in and coast towards the end. Every Time I Die are definitely not those guys. They unloaded everything they had on the sold out crowd and the crowd overwhelmingly reacted in joy. Having been to plenty of shows at the High Noon I have never seen anyone crowd surf in the tiny venue. That streak ended with ETID on stage ripping through song after song. Safe to say the entire show was nothing but pure energy. Opening with “No Son of Mine” and leading it right into “Floater” lead to the first of dozens of crowd surfers throughout the evening. Guitarist Jordan Buckley hit note for note all night shredding while supplying the crowd with plenty of high fives, hand shakes, punk jumps and in your face guitar playing. It was none the more evident during the middle of the set by playing “Decayin’ With The Boys” and “Petal”. Vocalist Keith Buckley was on point all night. Encouraging the the circle pit to get opened up and people to crowd surf to the front of the room. At some points in the gig, Buckley shared vocal duties with the crowd surfers that actually made it up to the front making the event a truly fan friendly showing. Having played songs covering 16 years worth of albums it was easy to say that ETID are still just as powerful as the first time they came out. This show was so much fun and I am still aching from moving around so much. Fantastic night with a boss band.
Hollywood Undead @ Majestic Theater, Madison, WI 10/14/2017
Having seen Hollywood Undead multiple times across the years and never once having been disappointed I knew I was going to have a great time. This time though was the first time I have every seen them play in a club setting. With long time member Da Kurlzz recently departing the group I wondered if the dynamic would’ve changed. It didn’t change at all. In fact they came out stronger and seemingly much more cohesive as a band. With “Whatever It Takes” as the lead song off of their new album “V” HU had the sold out Majestic crowd riled up and bumping. Each front man made their entrance over the first 2 songs. It was nothing but pure energy from the get go. The musicians got through their third song of the set then ditched said masks. Once they left the masks sitting on their cabs they rolled right into a few songs from their debut and second albums. The crowd swayed back and forth of the packed floor all evening. Seemingly exploding when “Comin’ In Hot” the group then slowed everything down to pay homage to the recently passed music legend Tom Petty. In doing so, they covered the 1990’s hit “Mary Jane’s Last Dance”. It was excellently done. As soon as they were finished they rolled into 4 more songs before closing it out with a short encore. Finally, closing out the show with their popular tunes “Everywhere I Go” and “Hear Me Now”. With a mixture of songs from every album it was a show for the new and long time fan. All in all a very impressive night.
36 Crazyfists @ Knuckledown Saloon, Madison, WI 10/15/2017
36 Crazyfists came out swinging on a rescheduled and moved Milwaukee show. This having been my first time seeing the group after first picking up an album of theirs back in 2002. I was lucky enough to get in and see the band play in an extremely intimate venue. The stage was small and the bar was full. A perfect way to watch a good old rock show. The rescheduling and size of venue didn’t phase the group in the least. Opening with the thunderous tune “Death Eater” off of their freshly released album “Laterns” the fans quickly got into it creating a small mosh pit right out front the stage. Brock Lindow’s vocals were spot on throughout the entire set. I very well could say they were album quality. I was blown away. Absolutely, blown away. No more did his unique vocals show than on “We Gave It Hell” off of “The Tide and Its Takers”. Guitarist Steve Holt’s strong shredding and energy filled antics were quite the visual sight from beginning to end. Pairing that with the strong playing and constant headbanging bassist Mick Whitney the duo were loud and strong. All in all the seasoned road veterans from Alaska put on an energy packed show for the captivated audience. Having played 5 very impressive songs off of their brand new album “Laterns” it was clear 36CF have never been stronger. They still inserted atleast a song off of every album they’ve released. That included 4 off of their most popular release “A Snow Capped Romance”. Closing out the gig they covered Alice In Chain’s “We Die Young” and probably their most popular tune “Slit Wrist Theory”. I was completely impressed and would absolutely see them again. Why I waited so long is beyond me. I am really kicking myself for that one. No doubt if you were a fan of rock/metal in the 2000s I would highly suggest catching one of their shows.
09/03/2017
Jason Isbell
Breese Stevens Field
Madison, WI
Covering Event as House Photographer for Breese Stevens Field.
Setlist:
1. Hope The High Road
2. 24 Frames
3. Go It Alone
4. Something More Than Free
5. Decoration Day
6. White Mans World
7. Codeine
8. Molotov
9. Cumberland Gap
10. Last of My Kind
11. Tupelo
12. Flying Over Water
13. Stockholm
14. Cover Me Up
15. Super 8
16. Anxiety
17. If We Were Vampires
18. Never Gonna Change (Drive By Truckers cover)
08/23/2017
Stevie Nicks
Resch Center
Green Bay, WI
24kt Gold Tour
Images captured for the promoter.
06/23/2017
Darius Rucker
Breese Stevens Field
Madison, Wi
Covering the event as the House Photographer for Breese Stevens Field.
Setlist:
1. True Believers
2. Radio
3. Southern State of Mind
4. If I Told You
5. Time
6. 1st Time
7. It Won’t Be Long For This
8. Don’t Think I Don’t Think About It
9. Friends in Low Places (Garth Brooks cover)
10. No Diggity (Blackstreet cover)
11. Let Her Cry
12. Alright
13. Hold My Hand
14. Only Wanna Be With You
15. Come Back Song
16. So I Sang
17. Wagon Wheel (Old Crow Medicine Show cover)
06/17/2017
The Avett Brothers
Breese Stevens Field
Madison, WI
I covered the event as the house photographer for Breese Stevens Field
Setlist:
1. Satan Pulls The Strings
2. Morning Song
3. Head Full of Doubt/Road Full of Promise
4. All of My Mistakes
5. Go To Sleep
6. The Race is On (George Jones cover)
7. Ain’t No Man
8. Murder in The City
9. A Lover Like You
10. A Victim of Life
11. You Are Mine
12. Vanity
13. Kick Drum Heart
14. Pretty Girl At The Airport
15. True Sadness
16. The Ballad of Love and Hate
17. Black Hole Sun (Soundgarden cover)
18. Distraction #74
19. Will You Return?
20. Shame
21. Live and Die
22. Laundry Room
23. Talk on Indolence
24. I and Love and You
25. Colorshow
26. The Fall
27. I Shall Be Released (Bob Dylan cover)
11/11/2016
Lemaitre
Majestic Theater
Madison, WI
10/31/2016
Reel Big Fish
Majestic Theater
Madison, WI
Setlist:
1. The Set Up (You Need This)
2. I Want Your Girl Friend To Be My Girlfriend
3. Another F.U. Song
4. Your Guts (I Hate’em)
5. Good Thing
6. Sellout
7. Trendy
8. Join The Club
9. She Has A Girlfriend Now
10. Snoop Dog, Baby
11. 241
12. Everything Suck
13. S.R.
14. Skatanic
15. AlI Want Is More
16. Nuthin’
17. Say “Ten”
18. I’ll Never Be
19. Alternative Baby
20. Beer
21. I’m Cool
22. Everyone Else Is An Asshole
23. Where Have You Been
24. Take On Me (A-Ha cover)
10/31/2016
PPL Mover
Majestic Theater
Madison, WI
10/30/2016
Yelawolf
Barrymore Theater
Madison, WI
10/30/2016
Bubba Sparxx
Barrymore Theater
Madison, WI
10/30/2016
Jellyroll
Barrymore Theater
Madison, WI
10/29/2016
Freakfest
State Street
Madison, WI
Performers:
Kip Moore
Anderson.Paak
Har Mar Superstar
St.Paul & The Broken Bones
10/07/2016
Here Come The Mummies
Majestic Theatre
Madison, WI
Setlist:
1. My Party
2. Freak Flag
3. Ra Ra Ra
4. Fenk Shui
5. Tightrope Walker
6. Friction
7. Bring That Down/Flute Beatbox
8. No Vasoline
9. Underground
10. Pants
11. You’re Gonna Get it
12. The Devil You Know
13. Hit Me
14. Attack of The Weiner Man
15. Make It Shake
16. Single Double Triple
17. Cruel Old Sun
18. Booty